He identified strongly with the DX7, and it became his main synth for over a decade, allowing him to explore programming possibilities in a way he couldn’t with other synths. Much of Eno’s sound comes from his processing of recordings, with Eno saying that recording Apollo involved “ so many processings and reprocessings – it’s a bit like making soup from the leftovers of the day before, which in turn was made from leftovers…“, so obviously the dry sounds from DX7’s output aren’t as you’ll hear in the album. Eno’s methods involve tape manipulation, reversing and slowing down recordings to generate new ones. The DX7 can be heard on his ambient album, Apollo: Atmospheres and Soundtracks, which actually came out the same year as the DX7. The DX7 quickly became Eno’s main synth, and at one point he owned seven of them.

My question is: I know that with the Montage its posible to import directly all patches from a. Sytrus could not import the Sysex file in question most likely because Sytrus expects DX7 presets and not DX100 presets. This patch was made by first importing a Sysex file into FM8 and then copying the patch to Sytrus, knob by knob, envelope by envelope, carefully checking sound by ear and spectrum. I did some research and I have figure out that a Yamaha DX7 was used on the production (flutes, EP, etc.) of the song. Solid Bass from DX100 / Lately Bass from Tx81Z. Instead of using the DX7 as a preset machine, he actually used it how Yamaha intended people to use it: to develop never before heard sounds. Hi all Im a Montage 7 owner and Im trying to recreate some patches for the Tina Turners song 'Whats love what to do'. Brian Eno is one of the rare masters of the DX7.

Dx7 patches for bass